PANJI TRADITION IN THE JARANAN JOR AND WAYANG TIMPLONG PERFORMANCE ARTS IN EAST JAVA

Trisna Kumala Satya Dewi

Abstract


The people of East Java are still familiar with Panji tradition as their collective
memory. Panji tradition is actualized in the form of art performances, such as Jaranan
Jor (Blitar) and Wayang Timplong (Nganjuk). Jaranan Jor and Wayang Timplong are
still often performed for various purposes which mean that both are still functional in
society. This paper aims to reveal the Panji tradition in performing arts in East Java,
especially Jaranan Jor (Blitar) and Wayang Timplong (Nganjuk). It also tries to reveal a
shift of the function of both performances based on their actualization in today's
society. Jaranan Jor has changed its function in society, from the function of ritual
ceremonies into entertainment (spectacle) function. Wayang Timplong is still
functioning as a ritual ceremony of Nyadran (village cleaning). However, Wayang
Timplong also serves as entertainment as well as various social communal activities
such as marriage, circumcision, nadar etc.

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ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture
Jurusan Sastra Indonesia, Fakultas Sastra, Universitas Negeri Malang, Indonesia (Department of Indonesian Literature, Faculty of Letters, State University of Malang, Indonesia)

ISSN : 2597-7385 (media online) - SK no. 0005.25977385/JI.3.1/SK.ISSN/2017.09 - 19 September 2017

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