CHOREOGRAPHY OF BEDHAYA DIRADAMETA IN MANGKUNEGARAN STYLE: A STUDY ON THE CREATION OF MOVEMENT PATTERNS

Abstract

Movement patterns are the cornerstone of expressive power in dance. Iconographically, these patterns must convey the intended meaning or message. Consequently, the creation of movement patterns is of paramount importance. This research delves into the creation of movement patterns within the Bedhaya Diradameta dance. It explores the innovative transformation of movement patterns from putri dance to those of putra alus dance. This study is essential for understanding the creative processes involved in shaping these movement patterns and enabling the expression of the Bedhaya Diradameta dance concept. Employing a qualitative research methodology, this study utilizes field research and archival research to gather data. The findings reveal that the creation of movement patterns involves innovating both the effort and shape of the original movement patterns. These innovations entail modifying the body (movement technique), time, space, and effort. The objective is to create a harmonious interplay of firmness and gentleness. The movement patterns of putri dance, characterized by their softness, grace, and femininity, are transformed into those of putra alus dance, conveying a sense of gentleness, composure, firmness, and elegance (authoritative). These innovations ensure that the movement patterns used can iconographically communicate the concept of the Bedhaya Diradameta dance.